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Are you scared of sharks? If you never read or watched the news, would you still be?

Mar 06, 2020  As I saw his car leave the parking lot, I noticed that the water was off color again and the feeding frenzy was back on. I was by myself. For the next. Single Player, HD (High Definition) Take the plunge! You already know how much fun the Frenzy Coast can be, so go ahead and buy the FULL version now.

Last year’s Senate inquiry on shark mitigation and deterrent measures heard evidence that media coverage has contributed to “disproportionately high fear of sharks among the public compared to the actual degree of risk involved”.

That report highlighted the misrepresentation of sharks by sensationalised media coverage, even in cases where shark encounters did not result in injury. The inquiry also heard that media outlets routinely use stock photos of great white sharks even in coverage of stories involving other shark species, and that news media often use emotive language such as “killer”, “invasion”, “deadly”, “savage”, “horror”, “vicious”, and “monster”.

Read more: Sharks aren't criminals, but our fear makes us talk as if they are

At the same time as the inquiry was gathering its testimony, we ran a separate series of focus groups in coastal communities in New South Wales. The 67 people in our focus groups included surfers, flag swimmers, tourism and small business operators, surf lifesavers, anglers, and conservationists.

We were mainly interested in canvassing opinions on the NSW government’s shark strategies such as the use of drones, clever buoys and shark barriers, and attitudes to sharks in general.

We didn’t set out to study the role of the media. But in each group we heard passionate discussions about media in various forms: traditional news media, social media, and other popular media such as movies and documentaries.

Many participants blamed the media for stoking fear of sharks, in ways that are disproportionate to the actual risk. They said that traditional media sensationalise danger and harm, because they profit from shark hysteria. And online media heighten our exposure to these stories and images, further feeding community fear.

We also gathered and coded more than 6,000 shark-related Facebook comments over a 13-month period from December 2015 to the end of 2016. Although there were some positive comments in which people perceived “balance” in the media’s presentation of shark issues – from outlets including CoastalWatch and The Guardian – these comments were few and isolated. Of the 259 comments that referred to the media, we categorised 8% of them as “positive”, 18% as “dissatisfied”, 42% as “hostile” to the media, and 15% of them judged the media as “untruthful or unreliable”.

Bites and clicks

Our study revealed a widespread view that media routinely exaggerate, distort and “beat up” shark stories as way to generate extra clicks, views, sales, and ultimately profits. One of our focus group participants put it like this:

When there is an interaction with humans, the media do blow it out of allproportion because perhaps it looks more gory, or it’s such a rarity. So the media do play on it and sell a lot of papers through it.

Many of the social media posts we analysed were critical of news media coverage for being overly simplistic or deliberately divisive. A case in point is this ABC news story about shark nets, with an accompanying Facebook post that framed the issue as one in which human lives are necessarily at stake.

ABC News’s Facebook post was met with disparaging reactions on social media, including:

ABC worded this wrong… I think you meant “what’s more important - protecting marine life or people being able to go for a swim/surf?”

and:

Disappointed in this sensationalist headline ABC. Why does it have to be one or the other? There are less damaging strategies that have been shown to reduce both shark attacks and shark deaths. What a ridiculous question! Fast food journalism. Shame.

Many compare the high profile of sharks with the lower profile of more significant dangers, such as domestic violence. Shark stories play to the community’s deepest fears, and news media are always ready to turn a shark encounter into a story. One focus group participant put it this way:

Sharks seem to grab that media attention because nobody wants to bechewed on by a shark… [the media] just play on that emotion.

Another said:

…if there’s the slightest whisper of a shark, that’s the number-one story… So our perception is very much controlled by the media.

Feeding Frenzy The Water China Release

Phones and fear

The advent of drones and mobile cameras makes it easier than ever for the news media to capture footage of sharks. And the ubiquity of news via smartphones and social media means we are exposed to them more frequently too.

One focus group participant likened sharks to celebrities, constantly snapped by a growing crowd of professional and citizen reporters:

…every time a shark is out there – and they’re always out there – they’re beingphotographed by a drone or a helicopter or something, and everyone thinks thatthere are just so many more sharks than there ever has been. But in fact there havebeen sharks here all the time but we’ve never had the technology to record themlike we do.

Sharks are the focus of a special and horrifying fear, even among people who know they are at miniscule statistical risk of being harmed by one. Many in the community feel that the media we consume, especially since the movie Jaws, continually feed community fear of sharks.

Read more: Shark bite statistics can lie, and the result is bad policy

Some respondents suggested that we need education and responsible information to allay fear and establish proportion. But many told us that raising awareness – every mention and image - just risks feeding community fear of sharks even more.

Perhaps the best advice came from a Newcastle surfer in his twenties, who described his typical reaction whenever sharks are in the news:

…you see it on the news and then you start thinking about it and you just get scared for a bit… [But] you slowly just get used to it again and go back to the water and get back to normal.

Feeding Frenzy: Jimmy Buffett Live! is a livealbum by American popular music singer-songwriterJimmy Buffett. It was initially released in October 1990 as MCA 10022. It is the second of Buffett's many live albums.

The album's material was culled from several concerts at Lakewood Amphitheatre in Atlanta, Georgia and Riverbend Music Center in Cincinnati, Ohio in August 1990 and was remixed by Elliot Scheiner at The Hit Factory Studios in New York City.

Chart performance[edit]

Feeding Frenzy reached #68 on the Billboard 200 album chart.

Songs[edit]

The album featured many of Buffett's concert favorites as well as two new songs that have not appeared on any other Buffett album: 'In the City' penned by Coral Reefer Mac McAnally and Lord Burgess' calypso classic 'Jamaica Farewell.' 'A Love Song (From a Different Point of View)' is the title given to 'Why Don't We Get Drunk' and 'Today's Message' is a spoken-word introduction to it. 'Everlasting Moon', a song recorded on the Off To See The Lizard tour for the album that was left off, appears on the box set Boats, Beaches, Bars & Ballads.

Notably absent from the album, but played live, is 'Son Of A Son Of A Sailor' and 'Changes in Latitudes, Changes in Attitudes,' the only two of 'The Big 8', a.k.a. SYKBH, missing.

(Basic set list structure from the tour):

1. 'You'll Never Work in Dis Bidness Again'
2. 'Stars on the Water'**
3. 'Off to See the Lizard'**
4. 'Come Monday'
5. 'Last Mango in Paris'*
6. 'Today's Message'
7. 'Why Don't We Get Drunk (And Screw)'
8. 'Grapefruit-Juicy Fruit'**
9. 'If The Phone Doesn't Ring, It's Me'**
10. 'The City'*
11. 'One Particular Harbour'
12. Acoustic performance, changed from show to show
13. Acoustic performance, changed from show to show
14. 'Everlasting Moon'/'Honey Do'
15. 'Cheeseburger in Paradise'
16. 'A Pirate Looks at Forty'
17. 'Jolly Mon Sing'
18. 'Gypsies in the Palace'
19. 'Fins'
20. 'Changes in Latitudes, Changes in Attitudes'**
21. 'Margaritaville'
22. ('Pascagoula Run')**
    Encore:
23. 'Jamaica Farewell'
24. 'Volcano'

(*) = Appears on Feeding Frenzy, but out of order.(**) = Doesn't appear on Feeding Frenzy at all.

Songs 12 and 13 changed from show to show, such as: 'Pencil Thin Mustache', 'Havaña Daydreamin', 'Son of a Son of a Sailor', 'Coast of Marseilles', 'The Weather is Here, Wish You Were Beautiful', 'Migration', 'The Captain & the Kid', 'Lone Palm', 'Little Miss Magic', 'Rocky Raccoon', 'Tin Cup Chalice' and 'He Went to Paris'.

'Everlasting Moon' and 'Honey Do' switched back and forth from show to show, while 'Pascagoula Run' would either be played or dropped.

Track listings[edit]

Feeding Frenzy The Water China Release

1. 'You'll Never Work in Dis Bidness Again'(Jimmy Buffett, Josh Leo, Matt Betton, Vince Melamed, Michael Utley, Willie Weeks) – 4:50 (Tuesday 8/7/1990 in Cincinnati, OH)
2. 'The City'(Mac McAnally) – 4:40 (Wednesday 8/8/1990 in Cincinnati, OH)
3. 'Last Mango in Paris'(Jimmy Buffett, Marshall Chapman, Will Jennings, Michael Utley) – 3:38 (Friday 8/3/1990 in Atlanta, GA)
4. 'Come Monday'(Jimmy Buffett) – 3:52 (Saturday 8/4/1990 in Atlanta, GA)
5. 'Today's Message'(Jimmy Buffett) – 6:25 (Tuesday 8/7/1990 in Cincinnati, OH)
6. 'A Love Song (From a Different Point of View)'(Jimmy Buffett) – 3:27 (Tuesday 8/7/1990 in Cincinnati, OH)
7. 'One Particular Harbour'(Jimmy Buffett, Bobby Holcomb) – 6:24 (Tuesday 8/7/1990 in Cincinnati, OH)
8. 'Honey Do'(Jimmy Buffett, Michael Utley) – 4:53 (Friday 8/3/1990 in Atlanta, GA)
9. 'Cheeseburger in Paradise'(Jimmy Buffett) – 3:10 (Tuesday 8/7/1990 in Cincinnati, OH)
10. 'A Pirate Looks at Forty'(Jimmy Buffett) – 4:25 (Friday 8/3/1990 in Atlanta, GA)
11. 'Jolly Mon Sing'(Jimmy Buffett, Michael Utley, Will Jennings) – 4:58 (Tuesday 8/7/1990 in Cincinnati, OH)
12. 'Gypsies in the Palace'(Jimmy Buffett, Glenn Frey, Will Jennings) – 4:15 (Tuesday 8/7/1990 in Cincinnati, OH)
13. 'Fins'(Jimmy Buffett, Barry Chance, Tom Corcoran, Deborah McColl) – 4:35 (Tuesday 8/7/1990 in Cincinnati, OH)
14. 'Margaritaville'(Jimmy Buffett) – 4:15 (Friday 8/3/1990 in Atlanta, GA)
15. 'Jamaica Farewell'(Lord Burgess) – 3:30 (Tuesday 8/7/1990 in Cincinnati, OH)
16. 'Volcano'(Jimmy Buffett, Keith Sykes, Harry Dailey) – 4:10 (Wednesday 8/8/1990 in Cincinnati, OH)

Personnel[edit]

The Coral Reefer Band:

• Jimmy Buffett – guitar, vocal
• Peter Mayer – guitar, vocals
• Jim Mayer – bass, vocals
• Roger Guth – drums
• Michael Utley – keyboards
• Jay Oliver – keyboards
• Robert Greenidge – steel drums, percussion
• Greg 'Fingers' Taylor – harmonica
• Brie Howard – percussion, vocals
• Savannah Jane Buffett – percussion
• Ralph MacDonald – percussion
• Mary Harris – vocals
• Dena Iverson – vocals
• Katherine Maisnik – vocals
• Mac McAnally – guitars, vocals
• Zachary Richard – acadian accordion

Production[edit]

• Jimmy Buffett, Elliot Scheiner - producers
• Elliot Scheiner - Recording Engineer
• Ted Jensen at Sterling Sound, NYC - mastering

Feeding Frenzy The Water China Korea

Notes[edit]

1. ^https://www.allmusic.com/album/r2938

External links[edit]

• Complete album art and liner notes at BuffettNews.com