Ninlog

1. 1 Month Old Feeding Frenzy For Kids
2. 5 Month Old Feeding Guide
3. 1 Month Old Feeding Frenzy 2
4. One Month Old Feeding Schedule
5. 5 Month Old Feeding Schedule With Solids

Feeding Frenzy 2: Shipwreck Showdown

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Become the biggest fish at the top of the food chain with Feeding Frenzy 2 Shipwreck Showdown, now on the PlayStation Network! Start as the little fish in the ocean and get your ‘eat’ on! Feast upon fish smaller than you and you’ll grow bigger and bigger. Avoid predators, or you’ll become THEIR meal. Feeding Frenzy 2 features 60 levels of underwater fun and above water challenges and local multiplayer Party Games and Frenzyfest modes

Slither.io

Slither.io is a massively multiplayer browser game where players control a snake-like avatar, which consumes multicolored pellets from other players, and ones that naturally spawn on the map in the game to grow in size. The objective of the game is to grow the longest snake in the server.

Zombie Driver: Immortal Edition

New and specially improved version of the zombie smashing hit, exclusively for the Xbox One. Insane mix of cars, speed, explosions, blood and zombies! Fight through an epic narrative campaign or test yourself in the Slaughter and Blood Race modes. Engage huge bosses, save survivors, drive crazy vehicles such as a bulldozer, fire truck or even a tank and smash everything in your way. Take part in the Blood Race tournament - chase other cars and take them down without mercy on brutal racing tracks. Jump into the Slaughter mode and survive as long as possible on specially crafted arenas. Experience super smooth gameplay at 60 frames per second and extra crisp visuals. Zombie Driver Ultimate Edition includes all DLC content that was ever created for the game.

Pikuniku

Pikuniku is an absurdly wonderful puzzle-exploration game that takes place in a strange but playful world where not everything is as happy as it seems. Help peculiar characters overcome struggles, uncover a deep state conspiracy, and start a fun little revolution in this delightful dystopian adventure!

Dream Alone

2D platform game with classic platform gameplay, deadly traps, dark storyline and unique hero abilities, all in Tim Burton's-like audio-visual.

Semblance

Semblance is an innovative platformer with deformable terrain, set in a beautiful minimalist world. It’s a game that asks, what if you could deform and reshape the world itself? Semblance takes the idea of a ‘platform’ in a platformer and turns it on its head.

Agar.io

Agar.io is a Massively-multiplayer top-down strategy browser game. In Agar.io, the player manipulates a circular cell using the mouse and keyboard buttons. The goal of the game is to enlarge the cell by swallowing non-player cells which are randomly scattered around the map. Other players that have smaller cells than the player are also able to be swallowed. Originally a browser game, Agar.io entered Steam Greenlight and was subsequently 'Greenlit' by the community, with the developers indicating that they planned to add more features not available in the web version of the game.
Agar.io has quickly become popular worldwide. Before the Turkish 2015 elections, Agar.io has been used in Turkey for political reasons; some political parties have also used Agar.io in campaign posters as a symbol of support.
Players can also use skins.

Figment

Figment is a surreal and isometric adventure game, wherein the player must journey through the subconscious mind to save it from the fears and nightmares.

Don't Knock Twice

Don't Knock Twice is a first-person horror game based on a psychologically terrifying urban legend. To save her estranged daughter, a guilt-ridden mother must uncover the frightening truth behind the urban tale of a vengeful, demonic witch. One knock to wake her from her bed, twice to raise her from the dead.
Explore a grand manor house and interact with almost every object you see. To find and save your daughter, you will explore all depths of the manor, searching for hidden clues and using items to fight or escape the terror that surrounds you.
The game is based on the film, Don't Knock Twice, starring Katee Sackhoff (Battlestar Galactica) and directed by Caradog James (The Machine).

Children of Morta

Children of Morta is a narrative driven hack and slash roguelike. Take on the role of a member of the Bergson family, the Guardians of Mount Morta, as you fight desperately against the Corruption. Experience not only what it means to be a hero, but to be part of a family that bears the weight of the mountain together.

Brawlout

Brawlout is the competitive platform fighter, designed for couch play, online ranked matches and competitive tournaments.

PLANET ALPHA

PLANET ALPHA is an adventure set in a living alien world where you have the ability to manipulate the daytime.
To survive on this strange planet you will have to be observant of how the environment and the wildlife behaviour changes depending on the time of day.

1 Month Old Feeding Frenzy For Kids

Hob: The Definitive Edition

Hob: The Definitive Edition is an artfully crafted single-player adventure which sends gamers on a mysterious, breathtaking journey through the ruins of a lost civilization, where they will encounter strange creatures and unlock satisfying puzzles hidden throughout the world. The team at Panic Button has developed a version of the game for Nintendo Switch that provides adventurers with brand new ways to unravel the mysteries of Hob. This includes added camera controls, improvements to the game’s UI, a variety of quality-of-life improvements and new features only possible on the Nintendo Switch system, including HD rumble and touch screen functionality.

Forgotton Anne

Forgotton Anne is a 2d cinematic adventure game combining puzzle platforming with adventure game elements. You play as Anne, the enforcer keeping order in the Forgotton Realm, as she sets out to squash a rebellion that might prevent her master, Bonku, and herself from returning to the human world.
The World of Forgotton Anne: Imagine a place where everything that is lost and forgotten goes; old toys, letters, single socks. The Forgotten Realm is a magical world inhabited by Forgotlings, creatures composed of mislaid objects longing to be remembered again.

BombSquad

Introducing BombSquad, an explosive arcade-style party game best enjoyed with several friends and a large couch.

Jump, punch, throw, and bomb your way to victory as you compete in a plethora of mini-games including Capture-the-Flag, King-of-the-Hill, Bomber-Hockey, and of course Epic-Slow-Motion-Elimination.

Up to 8 local players can get in on the action through BombSquad’s support of keyboards, PC gamepads, Wiimotes, PS3 controllers, and XBox 360 controllers. You can even use iOS and Android devices as wireless gamepads via BombSquad Remote, available for free on the iOS App Store, Google Play, and the Amazon Appstore.

Harness your mastery of physics to barrage your opponents from afar with precision-thrown bombs, or simply charge in and toss your enemies off the nearest cliff; all’s fair in love and BombSquad.

Pac-Man

Pac-Man is an arcade game developed by Namco and first released in Japan on May 22, 1980. it is considered one of the classics of the medium, virtually synonymous with video games, and an icon of 1980s popular culture. The player controls Pac-Man through a maze, eating pac-dots (also called pellets or just dots). When all pac-dots are eaten, Pac-Man is taken to the next stage. Four enemies (Blinky, Pinky, Inky and Clyde) roam the maze, trying to catch Pac-Man. If an enemy touches Pac-Man, a life is lost and the Pac-Man itself withers and dies. When all lives have been lost, the game ends. Near the corners of the maze are four larger, flashing dots known as power pellets that provide Pac-Man with the temporary ability to eat the enemies. The enemies turn deep blue, reverse direction and usually move more slowly. When an enemy is eaten, its eyes remain and return to the center box where it is regenerated in its normal color. Blue enemies flash white to signal that they are about to become dangerous again and the length of time for which the enemies remain vulnerable varies from one stage to the next, generally becoming shorter as the game progresses.

Toby: The Secret Mine

A challenging puzzle platformer inspired by games like Limbo and Badland.

5 Month Old Feeding Guide

Vagante

Vagante is an action-packed platformer that features permanent death and procedurally generated levels. Play cooperatively with friends or adventure solo in this challenging roguelike-inspired game.

Tunic

'TUNIC is an upcoming action-adventure game from solo developer Andrew Shouldice about a little fox in a big world where you do not belong. Coming to Windows, Mac, Linux, and consoles'

Munchkin Match

Unique gameplay around every corner with many different strategies to win. Start your fantastic getaway to a relaxing, magical land now!

Match 3 candies to advance across Sweetopia. With new tasty treats and surprises waiting around every corner, you’ll uncover many secrets throughout your journey. Whether you’re looking for a fun way to relax, or a new way to challenge your brain, Munchkin Match’s mouthwatering designs will have you drooling for more!

Help Lemi and his friends on their journey to find the Secret Seventh Sweet! Playing as Lemi, you will venture across Sweetopia in search of the final candy to become the most powerful wizard. Throughout your adventure you will pop bubbles, discover toys, and become the ultimate hero of saving stars. Surrounded by all of the cookies, candy, fruit, and other treats Sweetopia is filled with, it’s no wonder Lemi always thinks with his stomach! Match more than three candies to reveal a variety of board clearing boosters. In a jam? Lemi’s six friendly Munchkins will help you blast through any obstacle that blocks your way. With a range of magical boosters, you can easily step up your game. Think you can be the king of all magic? Challenge your friends and family for the high score!

Cool items and additional lives to help you on your adventure can be purchased with real money. The payment feature can be turned off by disabling in-app purchases in your device’s settings.

Munchkin Match Features
• Hundreds of sugary sweet levels with more added every month!
• Join the Munchkin Club for even more rewards.
• Leaderboards to track your friends' and competitors' scores.
• Easily sync the game between mobile and tablet devices.

Join the exclusive Munchkin Rewards Club!
Name of subscription: Munchkin Club Membership
Members of the Munchkin Rewards Club receives the following benefits:
• Club Gift: You will receive a power-up bundle from the club the first time you log in every month!
• Animated Avatar: Special animated avatar only for Munchkin Rewards Club members!
• Member Sign: You get a V sign at the lower right corner of your avatar.
Length of free trial: 1 week
Length of subscription: 1 month
Price of subscription: Varies by region and is clearly listed on the subscription page.

Your subscription is set to automatically renew. The price of the subscription will be charged to your iTunes account automatically on a monthly basis within 24-hours of the end of the current period, unless auto-renew is turned off 24 hours before the end of the current period. You can cancel and/ or manage your subscription, along with your auto-renewal, any time after your purchase by going to your iTunes Account Settings.

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Sharks tend to be solitary creatures, but blood in the water can draw them from a long distance away. Sometimes, when a number of sharks are consuming the same prey, they can be gripped by a kind of hysteria in which they frantically attack their food, each other, and anything else that may happen by. Such a display of mindless bloodlust is known as a 'feeding frenzy.' And according to William Safire, this expression was first applied to reporters in 1977, in a speech given by Gerald L. Warren, editor of the San Diego Union. Warren compared the overly aggressive tactics of some journalists to 'sharks in a feeding frenzy.' Today, the term usually refers to the covering of a story by a large number of reporters, who do their work aggressively, intrusively, persistently, and, in some cases, recklessly.

A media feeding frenzy usually stems from two elements: a celebrity and a scandal. 'Celebrity' can be used to describe anyone well-known to the public, such as an actor, politician, or star athlete. 'Scandal' usually involves allegations of immoral behavior—often, but not always, of a sexual nature. The two biggest scandals to attract the American media's attention in the 1990s were President Bill Clinton's relationship with White House intern Monica Lewinsky, and athlete-turned-sportscaster O. J. Simpson's trial for the murder of his wife, Nicole, and her friend, Ron Goldman.

Some feeding frenzies have taken place even when celebrity involvement was lacking. In 1992, teenager Amy Fisher, dubbed the 'Long Island Lolita,' was accused of attempting to murder the wife of Joey Buttafuoco, her considerably older boyfriend. The salacious elements of the story (including the revelation that the 17-year-old Fisher had been working as a call girl) were enough to create a frenzy—first in the New York City media market, and, eventually, nationwide—despite the fact that none of those involved were public figures. Four years later, Atlanta security guard Richard Jewell was accused of involvement in the Olympic Park bombing that killed one person and injured several others at the 1996 summer games. The media frenzy, which all but convicted Jewell in the court of public opinion, began with a leaked FBI (Federal Bureau of Investigation) report saying that Jewell was the 'focus' of the investigation. Jewell was ultimately cleared of any involvement in the bombing, and he successfully sued several media outlets for defaming his character.

But media feeding frenzies most commonly involve scandals of the famous. In America, they have focused on the misbehavior of presidents (Clinton and Lewinsky; Richard Nixon and Watergate), presidential candidates (Clinton and Jennifer Flowers; Gary Hart and Donna Rice; Joseph Biden and speech plagiarism), vice presidential candidates (Dan Quayle's military service; Thomas Eagleton's mental health), members of Congress (Ted Kennedy and Chappaquiddick; Wilbur Mills and stripper Fanne Foxe; Bob Packwood and a host of women), Cabinet nominees (John Tower and allegations of drunkenness and womanizing), Supreme Court nominees (Robert Bork and allegations of racism and sexism; Clarence Thomas and sexual harassment charges by Anita Hill), sports figures (Pete Rose and gambling; Mike Tyson and rape; Billie Jean King and a lesbian affair), television evangelists (Jimmy Swaggart and prostitutes; Jim and Tammy Fae Bakker and corruption), and movie stars (Hugh Grant and a prostitute; Eddie Murphy and a cross-dressing male prostitute).

Although the terminology may be of relatively recent origin, media feeding frenzies are not new phenomena. One of the worst frenzies of the twentieth century took place in 1935. It stemmed from the trial of Bruno Hauptmann for the kidnapping and murder of the 18-month-old son of Charles Lindbergh. In this case the celebrity (Lindbergh, who, in 1927, had been the first to cross the Atlantic Ocean in an airplane) was a victim, not the alleged perpetrator, but that did not stop the Hauptmann trial from turning into a three-ring circus that would have made P. T. Barnum proud. Reporters declared Hauptmann guilty before the trial had even begun; drunken journalists caroused in the streets of Flemington, the small New Jersey town where the trial was held; and reporters in the packed courtroom were able to pass notes to both the prosecutors and defense lawyers as the trial took place. So egregious was the conduct of the press on this occasion that it prompted the American Bar Association to pass its Canon 35, which led to the banning of cameras and radio microphones from all courtrooms. It was a restriction that lasted for 15 years, and even then it was only amended, not abolished. Judges were given discretion about allowing television cameras into their courtrooms, as well as complete control over the ways the cameras were used when their presence was permitted.

According to Professor Larry Sabato of the University of Virginia, several developments in modern society underlie the rash of feeding frenzies noted in recent years. A major factor is the changing nature of the news business, especially its greatly increased scope, speed, and competitiveness.

There is much more news coverage in the 1990s than was available just 20 years before. This is especially true of television, the source for most of the news that Americans receive. Although the half-hour of network news at dinnertime remains a staple, even the networks have added to their coverage of feature stories by offering a plethora of prime-time 'magazine shows' such as 60 Minutes, 20/20, 48 Hours, and Dateline NBC. Additionally, cable television offers a wide variety of news programming, much of it available 24 hours a day. Cable News Network (CNN) was the first to provide this service and was successful enough to spin off a second channel, Headline News. This has led to such ventures as CNBC, MS-NBC, and Fox News Channel, with more still to come. In addition, sports networks like ESPN offer news coverage of athletes, both on and off the field;entertainment channels, such as E!, present news focusing on films, television, and popular music; and specialized 'ethnic' cable networks provide news programs geared toward blacks, Latinos, or other ethnic or racial groups. There is, in short, an immense amount of news being offered to the American (and international) viewer every day. That void has to be filled somehow, which places heavy demands upon those who find, report, and package the news.

As a result of the sheer amount of news programming that is available, and the rapidity with which it can be collected and presented to the public, competition between news organizations has reached a new level of intensity. This is one of the prime reasons behind media feeding frenzies. When a 'newsworthy' story breaks, a large number of journalists will descend on the scene of the story, driven to find material to fill the many hours of news broadcasting, and eager to outdo the competition in discovering new angles to pursue. If the story has elements that make it especially 'newsworthy' (i.e., celebrities and scandal), then the feeding frenzy will begin in earnest.

Another important reason for the increase in the number and intensity of feeding frenzies derives from the way that both journalists and the public have come to view news. For instance, among reporters there has been seen a marked decrease in civility. This manifests itself in such practices as reporters swarming around a public figure, cameras running and microphones extended, as well as the practice called 'ambush interviewing,' wherein a reporter, usually with a minicam operator in tow, will attempt to surprise an interview subject who has already shown a disinclination to talk to the media.

But the largest difference in terms of civility in the late twentieth century is that, for journalists, nothing is considered 'off limits' anymore. For instance, President John F. Kennedy is known today to have been a chronic womanizer, and his weakness was no secret to most White House correspondents during the Kennedy administration. But there were no exposes in the media about Kennedy's many affairs, because journalistic conventions of the day held that private sexual conduct was not newsworthy unless it affected public behavior. Those who followed the frantic media coverage of President Bill Clinton's sexual involvement with a White House intern (and possibly other women, as well) can easily discern how much media ethics have changed since the early 1960s.

The way that journalists approach the gathering of news has also been affected by an increased cynicism within the profession. It is doubtful that experienced reporters were ever given to wide-eyed naivete, but events over the last several decades have done much to prompt the Fourth Estate to expect the worst of the public figures they cover. President Lyndon Johnson's rhetoric justifying American involvement in Vietnam eventually led journalists to coin the term 'credibility gap'—which meant that many people thought that Johnson had engaged in deliberate deception in his relations both with reporters and the American people. A few years later, the Watergate scandal revealed the lengths to which a president could go to deceive the press, manipulate public opinion, and attack his political enemies. In the following decade, reporters covering the Iran-Contra scandal learned how an uninvolved president, 'plausible deniability,' and the judicious use of paper shredders could combine to violate the law and undermine the nation's foreign policy.

At times, journalistic cynicism seems to be matched by public prurience. As is shown by the ready market for such 'tabloid television' programs as Hard Copy and A Current Affair (as well as their print counterparts, which are available at any supermarket checkout lane), there is a substantial appetite for sleaze in this country. Many Americans are loath to admit their taste for such programs, perhaps out of embarrassment, but the numbers speak for themselves. At the height of the media feeding frenzy over the O.J. Simpson criminal trial, a network anchor was asked for his reaction to polls that showed a large percentage of Americans claiming to be disgusted with the media's obsessive coverage of every aspect of the case. 'They may say that,' the anchorman replied, 'but look at the ratings. Our evening news numbers are up since trial coverage started, and every 'Special O. J. Report' we do in prime time pulls in bigger audiences than our regular programming usually gets…. People may say they don't like this stuff,' he concluded, 'but they still watch it—they watch it a lot.'

Apart from whatever media feeding frenzies may say about American culture, they pose other concerns, as well. One involves journalistic objectivity. Journalists involved in the excitement of a scandal story soon begin to take sides, whether they recognize it or not. If a President is accused of sexual misconduct, reporters know that the audience interest is usually in what he did and with whom, not in an evenhanded sifting of the evidence, with full weight given to the denials by the accused. Thus, sides are taken, and objectivity falls by the wayside.

If objectivity is endangered by feeding frenzies, accuracy may not be far behind. A reporter who finds a new angle to a story, or an undiscovered bit of evidence, knows that the competition is not far away. The glory, acclaim, and fame come from being first with the story. This leaves precious little time to double check information, or to ponder the credibility of those providing it. Of course, one can always issue a retraction for a mistake, but retractions never seem to be accorded the same audience attention as allegations, and there is often no way a retraction can wipe out the harm that may have been done.

1 Month Old Feeding Frenzy 2

Furthermore, any news program (or publication) is subject to zero-sum logic. That means, for every minute (or column inch, in print) devoted to Story A, there is correspondingly less time available for Stories B, C, and D. The subject of a media feeding frenzy will almost always be given considerable air time—such a story generally guarantees good ratings, competing stations will almost certainly feature it, and news editors have to be able to justify the resources allocated to the covering of the story. The result is that the 'frenzy' story will take up a significant portion of the newscast, and other stories, regardless of their import, will likely receive short shrift—and short segments. And this practice will probably be repeated, night after night, for as long as the story remains current.

The principal fact to keep in mind about the news business is that it is a business. Although the Constitution says that the news media have a public service obligation, in practice public service today is considered far less important than the bottom line. Feeding frenzies take place because the result of all this frenetic news coverage, to use an old phrase, 'sells papers.' And the future does not appear to offer hope for much improvement. Competition between news outlets is likely to increase in intensity, and the technology of information transmission will only become faster. As a result, the media feeding frenzies of the future may make the coverage of the O. J. Simpson trial look like a model of good taste and self-restraint.

—Justin Gustainis

Further Reading:

Garment, Suzanne. Scandal: The Culture of Mistrust in American Politics.New York, Times Books, 1991.

Sabato, Larry J. Feeding Frenzy: How Attack Journalism Has Transformed American Politics. New York, The Free Press, 1991.

One Month Old Feeding Schedule

Safire, William. Safire's New Political Dictionary. New York, Random House, 1991.

5 Month Old Feeding Schedule With Solids

Walsh, Kenneth T. Feeding the Beast: The White House versus the Press. New York, Random House, 1996.